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The play was Gul-E-Bakaoli.

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introduction

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THREE:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.At a stopping-place a flock of sheep huddled together in terror, hens scuttered about clucking anxiously, the stable dogs crouched and slunk; high overhead a large eagle was slowly wheeling in the air.

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FORE:In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.

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THREE:Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air.

TWO:The artist sat at work in a corner of the window, copying minutely, for the thousandth time perhaps, a Taj or a Moti Musjid. Quite unmoved while his[Pg 226] shopman displayed his wares, he worked on with brushes as fine as needles; but when, on leaving, I asked him where I could procure some colours I needed, "Then the sahib paints?" said he; and he rose at once, insisted on my taking a seat, pressed me to accept a little sandal-wood frame, as a fellow-artist, and then would positively paint my portrait.

TWO:The city produces an impression as of a town built in the clouds and then dropped, scattered over the plain with vast arid and barren spaces left between the houses. In the native and Moslem quarters, indeed, there is a crowd of buildings, closely packed, crammed together on quite a small plot of ground; and among them the electric tramway runs its cars, useless just now, and empty of travellers, for it is the beginning of Ramadan, and the Mohammedans in broad daylight are letting off crackers in honour of the festival.

TWO:At Jhansi, by the station, were parties of famishing emigrants, all with the same dreadful white grimace and glazed eyes, and in the town more starving creatures dragging their suffering frames past the shops��almost all closed��or begging at the doors of the temples and mosques; and the few passers-by hurried on as if they, too, wanted to escape, overpowered by this scene of dread and horror.

TWO:At the frontier of the Nizam's territory, a man-at-arms, draped in white, and mounted on a horse that looked like silver in the sunshine, sat with a lance in rest against his stirrup. He gazed passively at the distance, not appearing to see us, not even bowing.

TWO:Then a fat native lawyer began to speak, and silence fell on the crowd of three or four hundred listeners sitting behind the accused, as if they were in church. The monotonous voice went on and on, urging every plea.

TWO:Tazulmulook arrives in the same town, and is on the point of ringing at Dilbar's door when he is hindered by his father's vizier, who tells him how many times this dangerous woman has been the ruin of kings' sons. But Tazulmulook, in a discourse on valour addressed to the audience, who stamped applause, rejects the counsels of prudence and rings at the dancer's door. Tazulmulook wins the game with Dilbar, and compels her to release his brothers, but only after branding each on the back of his neck.

THREE:On the great banyan trees in the garden, and on every palm, torpid vultures sit in the sun, awaiting the meal that will come with the next funeral procession.

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The central square, formerly the Sultan Akbar's garden, is now a parade-ground for soldiers, and barracks occupy the site of ruined palaces. Still[Pg 207] some remains of ancient splendour are to be seen that have escaped the vandals.Trees shut in the flat, interminable road, and it was midnight before we reached Srinagar, where I found, as a surprise, a comfortable house-boat with inlaid panels, and a fragrant fire of mango-wood smelling of orris-root.In the street were bayad��res, and women at every window, the pretty faces brightly illuminated, the plainer in a skilfully subdued light. The sound of tom-toms and pipes could be heard, and the guttural, quavering song of a dancing beauty performing for some amateur; quite young boys were wandering about the street, almost children, all in white. Where the roads met, a mosque was illuminated in honour of this month of Ramadan, and the believers were trooping out in a crowd.The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.

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